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Showing posts from November, 2008

Through the Looking Glass

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One of the problems with Christian Fantasy that I have seen is in how it steps through the looking glass. This is a problem that isn’t unique to Christian Fantasy, but it is a problem that Christian Fantasy authors must handle if they hope to succeed. Some have and some haven’t. The Fantasy author must find a way to step through the looking glass with his story. If he doesn’t, the reader will apply the rules of our Universe to the universe of the story. When we write, we want to create the suspension of disbelief . That is more difficult in Fantasy when the story closely approximates our world. If the Fantasy author tells us that there are elves living among us, we are willing to suspend our disbelief for the space of the story, but suppose he tells us that the 9/11 attacks were planned by our government. We will refuse to accept that. Creating the suspension of disbelief requires a few things we can’t prove. While we have never seen elves, we can’t really prove they don’t exist. The...

Writing About Holidays

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Happy Thanksgiving! If you are reading this on Thanksgiving Day, you ought to get something for your dedication—a free book, a hundred dollar bill, a free turkey, something. But no, I’m not giving out any of those things. All I have to offer are my thoughts on writing about holidays. When we include a holiday in a novel, there is a tendency for it to over power the novel. If you mention Christmas, you might as well call the book a Christmas novel. If you mention Valentine’s Day, the book might as well have a pink cover. For all practical purposes, holidays don’t occur in Fantasia except when the author wants to talk about a particular holiday. Holidays carry with them some requirements of their own. If we write about Veteran’s Day we can expect it to involve the armed forces. Ground Hog’s Day stories had better have a ground hog. Christmas is the big one. Christmas stories are about family, peace, the jolly old elf, magic and some other things. We deviate from these things to keep it i...

Handling Problem Spots

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When we write stories, we sometimes come up against plot elements that don’t seem possible. The reader simply won’t believe it. What are we to do? I came up against a situation like this in For the Love of a Devil . To maintain consistency with the biblical account of Hosea I had to find a way to put the female character in slavery, but we don’t see slavery so much in America. I did the research and yes there is a very active slave trade in the United States, but it stays hidden in the shadows. The events leading up to that just didn’t seem believable. Even though she was already in a bad situation, it didn’t seem possible that the person who did so would sell her into slavery. I stumbled upon a solution that turned out to be much simpler than I would’ve expected and it even has a name. The plot device that I stumbled upon is called lampshade hanging or spotlighting . When one of my characters was about to tell my main character what had happen, I had her say, “You won’t believe me.” ...

Which Advice?

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There are a couple approaches to writing a novel. Some people like to write novels by the seat of their pants and just write, while others like to develop an outline. Forgive me if I generalize a little, but it seems to me that seat of the pants novelists favor character driven stories while outliners favor plot driven stories. For our purposes, let’s define these two terms. Character Driven Story – a story in which the author creates interesting characters with a natural dislike for each other, throws them together and sees what happens Plot Driven Story – a story in which the author creates an interesting plot and then goes and figures out what kind of characters would do such a thing In a character driven story, the author might say he has a company owner and a union boss as characters. You can pretty much bet that the plot is going to have something about union negotiations, since that is what normally brings these people together. Or if you go at it form the other direction, i...

Show, Don't Tell - Confusion in Action

Show, don’t [just] tell . We hear this phrase a lot, but what does is mean? A more important question, does anyone agree? Brandilyn Collins says the rule means to “communicate information to your reader through a character's actions, expressions, words, or perceptions rather than communicating through author narrative.” ( Rules, Rules, Rules—Show, Don’t Tell , 03/13/2008) Monica Wood declares, “showing can be thought of as scene , telling as narrative .” ( Description , pg 21, 1999, Writers Digest Books) D. G. Jerz says that “ Telling communicates facts; showing invites understanding.” ( Show, Don’t (Just) Tell , 05/08/2000) Literary agent Rachelle Gardner says, “The point of showing is to give your reader an experience as opposed to information.” ( Showing vs. Telling , 10/29/2008) Taking these statements alone, you may not see just how different these statements are, but when we look at the examples they provide and the more detailed statements, we see that each has a signific...

Christian Themes

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Every story has a theme. Without a theme, the story falls flat like a limp balloon. The theme of a story is a little like the hypothesis of a scientist. A scientist states a hypothesis and then through additional research will either prove or disprove his hypothesis. Likewise, a novelist will state his theme early in the book and through the events of the story he will lay out his arguments to support the theme. The theme is something like “money can’t buy happiness” or something similar. I have tried to think of what the uniquely Christian themes are. The one that really sticks out is “Jesus saves” though it seems that authors seldom use that as a theme but try to work it into the story in other ways. I think this is the wrong way to go. A theme should be interwoven into the tapestry of the story.

What Christian Fiction Should Be

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I was thinking about Christian Fantasy the other day and I asked myself what I think we should see in Christian Fantasy. As I thought about the question, I realized the answer goes back to what we should expect to see in Christian Fiction as a whole, not just Christian Fantasy. The only definition of Christian Fiction that I know of is that Christian Fiction is fiction with a Christian worldview. That leaves the genre wide open, since practically anything could be considered a Christian Worldview. Fiction always has and always will be much more than entertaining stories. People who tell these stories intend to get a message across to the listeners, or in this case, the readers. Jesus used fictional stories to convey his message to the people who followed him. Many of the fairytales we learned as children had a hidden meaning that went far deeper than just the fun story. Isn’t Little Red Riding Hood just a scary story intended to warn children of the dangers of talking to strangers? Doe...

Deus Ex Machina

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Imagine that you are watching a Greek play. As the end of the play nears, you begin to see that there is no way for one of the characters to survive. If he chooses life then he must give up all that is dear to him. If he chooses what is dear then he must die. Then from above the stage another character appears, one that we haven’t seen before. With a booming voice he removes the character from the danger he faces. You are left to think, “I didn’t see that coming.” What just happened? This is something that we might call a plot device, if we don’t just call it bad writing. This plot device has the name deus ex machina or if you prefer god on a stick. In some Greek plays the playwrights would put their characters in situations from which they could not recover and then bring them out of it by bringing in a god of some sort, usually via something like a crane from above the stage. This became known as deus ex machina, or “god from a machine.” The ancient Greeks’ belief that their gods cou...

Thoughts on Publishing Models

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In business, there is a relationship between cost, schedule and quality that always exists. I don't know who originally thought of this. I certainly can't take credit for it, because I learned it from a mentor. The relationship is such that if we reduce the time to complete a project we must either throw more money at it to obtain more resources to do the same work or we must reduce the quality/scope of the project. If we want better quality, cost and schedule will take a hit and if we want to reduce cost then schedule and quality will take a hit. This relationship works fairly universally, so we can expect to see this same relationship at work within the publishing industry. One place we see it very clearly is in the differences between some of the publishing models used in the industry. Let's assume that the typical traditional publishing model in which the publisher pays the author a small advance, hopes to sell a few thousand books and has a budget of about $40,000 is ...

Picture First Blogging

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You may have noticed that I have been taking a different approach to blogging recently. On my more recent blog posts you will see a corny little image, similar to the one seen here. One thing I’ve noticed is that it is easier to read a blog when the blog has images attached. Some people “borrow” stock images for their blog posts, even with the copyright watermark still attached. My recent approach is to draw the image before I write the post. We’ll see how long I keep this up, but it is working for now. My hope is that the images will help to illustrate whatever point I am trying to make. Rather than using stock photos, I have been drawing images, often with cartoon like text to help bring the point home. While I don’t usually see stick figures in my head, I think showing a picture of what I am thinking will make it much easier for people to understand. One of the things I have noticed is that if I start with the text I have a tendency to over write in order to describe something. By t...

Writing About Love

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The other day, Cara Putman posted about Defining True Love . In her post, she had a list of definitions for love as stated by young children. She stated that she posted it because one talked about a boy who climbed into the lap of a man crying after he he lost his wife. The boys mother asked him what he said. He said, "nothing, I just helped him cry." That reminded me of a scene in For the Love of a Devil in which I had something of that thought in mind. Sara Dawson is a student of Geoff Mywell and her story is the B story of the novel. Geoff has lost his wife and his emotions are a mess. Sara comes to talk to him at church, just before the service starts. As Sara is walking away, Geoff notices a flick of her head that reminds him of Heather. This brings him to tears. Sara looks back and sees him crying. She goes back to assure him that everything will be alright and to offer him a handkerchief. I did that because I wanted to show the love that Sara has for her teacher. I d...

Whatever

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In her column “I Wish I’d Said That,” Maggie Chandler recently wrote about the meaning of the word Amen . The meaning of the word is along the lines of “let it be so” or “so be it.” She told how she asked her Sunday school class about its meaning and her daughter responded, “whatever.” I could have thought at about the meaning of that word for a long time and not have come up with that answer. Along the same lines that Maggie took with what she said, we take the whatever to be a somewhat disrespectful term. It implies that a teenager is telling a parent, “I don’t agree with you. I know you won’t listen well enough to understand, but I’ll yield to you. Whatever.” But the parent is thinking, “why can’t she just accept that I know better than her?” When we look at the Lord’s prayer in the garden, isn’t that how he ended it? Doesn’t “not my will, but thine be done” mean exactly the same thing as whatever ? Jesus may have been more sincere, but the meaning’s the same. To so the question fo...

Obligatory Review: Field of Blood by Eric Wilson

Field of Blood is a Christian Fantasy novel written by Eric Wilson and published by Thomas Nelson. I received a free copy through their Book Review Blogger program and quite frankly that is the reason I finished it instead of dropping it on the floor and finding something more productive to do. As a whole, it is a readable book. By that I mean that at no point did I dread turning to the next page and it didn’t put me to sleep. I can also say that at about page 375 of 400 the story picks up pace and it becomes a page turner. Though it comes from a Christian publishing company, Field of Blood is based more on Jewish mysticism than on biblical teaching. It pays homage to Christian beliefs, but at the same time has several weaknesses. For example, the primary good guy in the book is a female with immortality. The Bible tells that the wages of sin is death and yet this woman is immortal even though she practices fornication and doesn’t know Jesus. I have had some trouble trying to classif...

Show, Don't Tell

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As much as novelists talk about the rule Show, Don't Tell , personally, I think it applies more to the film industry than it does with the publishing industry. That doesn't mean it doesn't have application in both places, but take a look at the scene on the left. In a movie, this an example of telling. The audience is supposed to gather from the dialogue that the boy is bitter against his father. If that works, we might as well leave out the image of the two hugging, since the boy has already told us that they are going to. But as movie goers, we don't want characters telling us through dialogue that they are bitter, or worse, having other characters tell them they are bitter. Instead, we want to see it through the actions of the character. Instead of the characters saying, "my father left when I was young and it made me bitter" we want to see the character looking at a picture of his father and scratching away the face with a pair of scissors. We want the ch...

The Pain of Writing

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Kurt Vonnegut has told writers to be sadistic and make bad stuff happen to our characters. I’ve been messing with a character who is rather wealthy, but he is a family man and loves his grandchildren very much. The plot requires him to want a particular claim that a con artist makes to be true. At first, I thought it would be sufficient for him to be distracted from his work by having a missing grandchild, but it didn’t work with the story. The man has four other grandchildren he knows much more about than the missing grandchild, so it came across as if he just wanted the complete set. I needed something better, something stronger. When I took Vonnegut’s advice, I found the solution in killing off the grandkids. Not just one of the grandkids—all of them. Suddenly, the happiness of a man who invests so much in his grandchildren is invested in the missing grandchild. It also gives a more real quality to the character. As the primary owner of a large company, the man is something of a kin...

It Pays to Stand Out...Sometimes

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Writers walk a fine line and those who do it well succeed. The rest of us languish in obscurity. The one thing that highly successful books have in common is that they are different from their peers. The first novel that does something interesting or different gets the glory. The rest get…nothing. Or next to nothing. We want our work to stand out, but we also have to be careful. Maybe we don’t want to stand out too much. Put God in a dress flipping flapjacks and you have a novel that stands out. But does it stand out for the right reasons? Okay, actually that has already been tried and what I expect is that we will start to see more novels (mostly self-published) that will attempt to rethink God. Perhaps instead of putting him in a dress someone will give him the body of a cow. Isn’t that what the children of Israel did? Read the Bible, God was not amused. But enough about that. As we write, we have to make choices. The most important choice is the story idea. Nothing makes a book stan...

Our Seventy Years

Do you ever have the feeling that all we are ever doing is looking for a way to occupy our minds for our seventy years on this planet? We go to work each day, hopefully to a job we don’t find boring, so we afford to go home in the evening to do things that we find interesting. We do social things, such as attend church or other things, in part because that’s a whole lot more interesting than sitting at home twiddling our thumbs. When we are at home, we occupy our minds by watching television, reading books, working on hobbies or connecting with people online. When I look at some of these Eastern religions that meditate by trying to clear their minds of all thought, I can’t help but wonder if they have a death wish. Visit a nursing home and what will you find? In many nursing homes you will find senior adults with nothing to do but to push their wheelchairs up one hall and down the other. There are many things that cause people to approach death in haste, but I am convinced that many pe...

Writing Scathing Reviews

Just the other day, Cara Putnam asked a question about reviewing books that weren’t right for her (a euphemism used by the publishing industry to describe poorly written books). I don’t advocate writing reviews that sound like every book is the greatest thing that has ever come off the press, but I did say that I am moving in the direction of writing fewer scathing reviews and writing more complimentary reviews. I have chosen to use this blog post to explain why One thing I have noticed since I have begun to write novels is that I am much more critical of the work of others. Jesus said, “For with what judgment ye judge, ye shall be judged; and with what measure ye mete, it shall be measured to you again. And why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye?” If I write a scathing review then I am opening myself up for the author or fans of that author to do the same with one of my books. Now, some books deserve a scathing ...

Protagonist/Antagonist

One of the writing concepts that some people have a hard time grasping is the concept of a protagonist and an antagonist . Many people have the idea that the protagonist is the good guy and the antagonist is the bad guy . While this is often the case, it is not the way we should understand the concept. The protagonist is principal character, but he can be either good or bad. The story will reveal which he is. The antagonist opposes what the protagonist is trying to accomplish and can be either good or bad. Sometimes in the development of a story it is helpful to consider various protagonists. We should ask which characters will change the most during the events of the story and who will push the story forward. I was looking at a story idea the other day in which a woman was going to show up on a doorstep and force her way into a family. I thought of her as the protagonist, but the story just wouldn’t come together the way I wanted. For the story to end with her a member of the family...

Why Can We Read Novels But Not Websites?

Much is said about people’s short attention spans. Someone recently asked why we are able to read novels, but we aren’t able to read websites. It made me think a little. What are the major differences between these two types of reading? Here’s what I came up with. We can read a novel anywhere, but a website requires a computer. When reading a novel, we have a well-defined goal of getting to the end of the book. With a website, we have no starting point and no ending point, so we can stop whenever we choose. With a novel or even a non-fiction book, we are reading to learn what the author has said. With a website, we are looking for one piece of information like a needle in a haystack. Once we find it, we declare ourselves done and move on. What other differences can you think of between the two forms of reading?

Non-fiction Is Easier Than Fiction

Fiction is harder to write than non-fiction, or it should be. When you write fiction, you have to make it up as you go. When a writer writes non-fiction, he should know his subject well enough that he doesn’t have to make anything up, he just has to figure out the best order for the information and find a way to get the point across to the reader. Let me show you what I mean. A college professor has spent years studying fish. One day the dean comes to him and says, “I want you to write a book. It will make the college look better.” Now the professor could decide to write about the history of Egypt. “That will give me a chance to learn about Egypt.” But he won’t do that. Instead, he will go to his files, pull out his work from the past several years and he will write about fish. In all likelihood, he could write much of the book from memory, but he will use his work and the work of others to insure the accuracy of his statements. That brings us back to the subject of platform. Our platf...